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From the above past experiences, it can be concluded that badly maintained pianos can most definitely have a negative impact on performers. However, can the quality of a piano actually improve ones output? After all, it can be argued that music comes from within and that true emotion will not be subdued, regardless of the instrument that one is composing or performing on. In the practical world, good equipment is always an asset. If a piano delivers a quality, singing tone, it becomes addictive to play. That, alone, is an extremely positive consideration. Any composer or performer that has incentive to remain at their instrument for greater lengths of time is bound to produce positive results.


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Another point to consider is that a singing tone makes ones soul sing. Any performer or composer that is brought to a state of singing is in a very positive creative place.


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As a final thought, a well maintained piano makes for a happy performer, composer and piano. The better the instrument is, the better the chance of a successful emergence of profoundly moving performances and compositions from performers and composers respectively.

What’s the best piano you’ve ever played on? What’s the worst? Can the quality of pianos that are used for composing and performing seriously affect your musical output? Here are some thoughts.


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