The one factor that hasn’t yet entered contemporary theater that has influenced, for better or worse, film and television, is the advent of the self-funded writer-producer. Considering the gauntlet that faces the mainstream playwright without his or her own resources, such a writer-producer, maligned as he may initially be as self-aggrandizing by the theatrical establishment, may be the only hope left. Meanwhile, we must reluctantly admit, better not to award the Pulitzer at all than to award it to a trifle, masquerading as a piece of consequence. At least, some sort of standard has been indicated.
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This year, when The Pulitzer Prizes were announced, the not entirely delightful news is that no Pulitzer was awarded in drama.
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While the decision is unsettling, the prudence of it must be acknowledged, since, affection for the theater and those who make it aside, there was no drama to consider.
Let us have the courage to ask why and, along the way, try our best to understand everybody’s culpability or innocence.
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- If you keep tabs on Broadway, just so you’ll know if, by some surprising concatenation of events, a drama you might actually be interested in seeing comes along, you know that the usual fare this past season was once again a series of enthusiastically promoted trifles.